Showing posts with label off-site reviews. Show all posts
Showing posts with label off-site reviews. Show all posts

30 April 2012

reviews all over the web: part 2 of 3

A smaller, slightly more manageable (read: digestible??) chunk of reviews this round, with a South/ern Africa focus:
And finally, three reviews of Together, the joint production by Zimbabweans Julius Chingono and John Eppel (and published by 'amaBooks) which came out soon after Chingono's death:
Some excellent reviews (I'm looking at you Twidle), some good poetry to be had, and considerable tripe (though most critics seem hesitant to suggest as much). Yup, that sounds about right...

06 April 2012

reviews all over the web: part 1 of ... 3, maybe??

While I am busy trying to falteringly document by way of brief reviews my National Poetry Month (2012) reading, I would be remiss if I did not (finally) get back to publishing a compendium of reviews of poetry collections posted elsewhere on the web.

I have been sitting on these for... way too long. And rather than dumping them all here in one go I'll be breaking them up into 2 or 3 different posts over the coming month. To wit, here is the first batch:
And on top of all that? South Africa's Mail & Guardian published a brief omnibus review by Kylie Thomas of five Modjaji Books collections -- Difficult Gifts by Dawn Garisch; Conduit by Sarah Frost; Hemispheres by Karen Lazar; The Suitable Girl by Michelle McGrane; The Everyday Wife by Phillippa Yaa de Villiers (all or most of which I'll be tackling later in the month).

There is a refreshing depth to and sustained engagement with the poetry in the bulk of the reviews above. Hardly a critical word is uttered, however, making me think I am either a curmudgeonly ass or simply not reading the right books. I think it's probably the former. Oh well...

Enjoy!!

07 April 2011

more "recent" reviews found elsewhere...

As I noted in an earlier similar post, the notion of "recent" is always a relative term...

Though I've drifted away from the blog a bit over the last... year or more (!!) -- spending much more time on our Facebook page (more on that to come shortly) --  I have continued to search for, track, and bookmark whatever reviews of African poetry collections I can find online.

To wit, a small sampling. Hopefully giving both the collections and the outlets that still see fit (thank god!!) to publish reviews of poetry a little bit more visibility.
I have distressingly few of the above currently in queue to review but thanks to these reviews (and the mighty reviewers) I can, at the very least, pretend familiarity with them all.

Still, that's twenty-two reviews there and it ought to keep you busy for some time!!

By all means, link, read, comment (here and there, for that matter) and... if there are other reviews floating around do send them along so I can start compiling the next batch for posting.

31 January 2010

some "recent" reviews

Well, recent is always a relative term, no?

Over the last year or so I've tried to track and bookmark reviews of works of African poetry that might be of interest to readers. What follows is just that which has come relatively easy to me. I'm sure there's much more out there but you have to start somewhere, even if you're reduced to far too much self-citation.

That's how I justify what follows...

For my own practice and benefit I try to write up brief reviews of each book I read. I'm woefully far behind -- my reading even still outstripping the rather paltry overview I give each book -- but have five six (I inadvertently left off Anyidoho's volume from the initial post) short reviews to offer:
African Literature Today 26 (2009) published my review of three collections by Tayo Olafioye (pdf): A Stroke of Hope, Arrowheads to My Heart, and Ubangiji: The Conscience of Eternity -- none of which I found particularly edifying. But... well... read the review.

Elsewhere, the new Nigerian paper NEXT (also the first-Sunday-of-the-month home of Niyi Osundare) has published a few reviews of note:
Ede's Globetrotter & Hitler's Children (in my pile of books to read... soon!!) has probably gotten the most notice of any of the more recent releases, reviews of it also appearing in eyeweekly.com (by Brian Joseph Davis) and Molossus.
Addendum (1 February 2010): In the latter, there is also an extended Conversation with Amatoritsero Ede from November 2009. Well worth reading.
Helen Moffett's Strange Fruit is reviewed by Grace Kim on the South African literature site, LitNet, while Karlien van der Schyff reviews Sindiwe Magona's Please, Take Photographs on the same site. Karen Press offers up An Introduction to Imprendehora by Yvette Christiansë on the Poetry International Web website and Shaun de Waal offers an extended and considered review of Dan Wylie’s Road Work in South Africa's Mail & Guaradian.

I'd be remiss not to point you back to the overview of the year in Ugandan letters I wrote about earlier, which links to a number of reviews of Ugandan collections from the last year.

What am I missing? Lots, I'm sure.

So if you wrote, read, or have stumbled across a review of poetry that's appeared in the last year -- that is, the review has appeared in the past year; I don't care how old the collection itself might be -- send it along: email me the url and I'll compile another list for posting.

19 May 2008

a review of taban lo liyong's translation of p'bitek's seminal "song of lawino"

Well, a couple reviews truth be told.

I just had a review of The Defence of Lawino -- Taban lo Liyong's translation of Okot p'Bitek's Song of Lawino -- published in Research in African Literatures (vol 39 no 2 summer 2008: 156-8). If you read my review you'll see that I'm not a big fan.

A little more ambiguous is Simon Lewis's review published by the H-Net List for African Literature and Cinema. Referring to lo Liyong's translation as "illuminating" is, to me, a little like praising a book as important: it doesn't necessarily suggest that the book is worth reading.

My suggestion is to read p'Bitek's Song unless you're writing a seminar paper. Then read them both.

Faint praise indeed.